Variations for Orchestra was written in 1955, and was Carter’s only major symphonic work before the Concerto for Orchestra of 1969. That Carter should have had to wait seventeen years for its performance by America’s reputedly most distinguished orchestra is typical of the difficult relation between American composer and orchestra today. During these seventeen years—and early enough in them—Carter had been recognized internationally, and considered by many as the finest and most interesting American composer now writing; for most of these seventeen years, in spite of this widespread recognition, the New York Philharmonic had chosen to act as if he did not exist.
Mein Blog befasst sich in einem umfassenden Sinn mit dem Verhältnis von Wissen, Wissenschaft und Gesellschaft. Ein besonderes Augenmerk richte ich dabei auf die Aktivitäten des Medien- und Dienstleistungskonzern Bertelsmann und der Bertelsmann Stiftung.
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