"The words in Anderson’s film are mostly Pynchon’s; the plot elements
too, however freely they have been culled and transposed; the
free-associative multiplicity and ricocheting mood changes are carried
over with a miraculous lightness of touch. Yet Inherent Vice
the movie is utterly its own thing, as thoroughly a piece of Anderson’s
imaginative universe as of Pynchon’s. If Pynchon’s Doc Sportello could
stare at a movie and feel puzzled by what he’s seeing, here it’s as if
the movie stared back, infusing the materials of the novel with further
ambiguities of emotion and association, pervading it with the actual
California sunlight that feels like the movie’s binding force. People
glide through it or are trapped or exposed by it. It offers promises of
innocent happiness or flattens everything with an overlay of blinding
impersonal brightness."
Quelle: http://www.nybooks.com/blogs/nyrblog/2015/jan/03/pynchon-blue-shadow-inherent-vice/?utm_medium=email&utm_campaign=NYR+Charlie+Hebdo+new+films+Obama+and+rights&utm_content=NYR+Charlie+Hebdo+new+films+Obama+and+rights+CID_2199a7465927ef2901730f39807bead6&utm_source=Email%20marketing%20software&utm_term=Pynchons%20Blue%20Shadow
Mein Blog befasst sich in einem umfassenden Sinn mit dem Verhältnis von Wissen, Wissenschaft und Gesellschaft. Ein besonderes Augenmerk richte ich dabei auf die Aktivitäten des Medien- und Dienstleistungskonzern Bertelsmann und der Bertelsmann Stiftung.
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