Tim Parks: Does Copyright Matter?

Imagine copyright were phased out or became impossible to enforce in any meaningful way; you can’t expect an advance from a publisher, you can’t even sell your work directly to readers online. So, creative writing is no longer a “job.” You won’t be able to turn it into a living unless you become a big-time celebrity, in which case no doubt there would be lucrative spin offs; but celebrity is always a long shot and how will it be achieved if the ordinary commercial channels disappear? Isn’t today’s celebrity mostly constructed on sales, which are largely generated by hype, and which would evaporate if a publisher no longer had an exclusive right to publish a given book—or if a publisher could no longer charge the prices necessary to support the publicity required to get a book to its intended public? It’s true that a certain buzz can now be created around a book simply by making it freely available on the net, as was the case with Fifty Shades of Gray; but that would be of little help if at the end of the day there were no prospect of turning that excitement into publishing support and money.

Mein Blog befasst sich in einem umfassenden Sinn mit dem Verhältnis von Wissen, Wissenschaft und Gesellschaft. Ein besonderes Augenmerk richte ich dabei auf die Aktivitäten des Medien- und Dienstleistungskonzern Bertelsmann und der Bertelsmann Stiftung.